{"id":11742,"date":"2025-12-26T13:56:16","date_gmt":"2025-12-26T11:56:16","guid":{"rendered":"http:\/\/pierremertens.be\/?post_type=werken&#038;p=11742"},"modified":"2026-03-26T09:38:31","modified_gmt":"2026-03-26T07:38:31","slug":"overs-for-the-world-moshi","status":"publish","type":"werken","link":"http:\/\/pierremertens.be\/en\/works\/overs-for-the-world-moshi\/","title":{"rendered":"Covers for Moshi"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-11807 size-medium alignleft\" src=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/poort-open-1-225x300.webp\" alt=\"\" width=\"225\" height=\"300\" srcset=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/poort-open-1-225x300.webp 225w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/poort-open-1-768x1024.webp 768w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/poort-open-1-1152x1536.webp 1152w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/poort-open-1.webp 1200w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\" data-start=\"94\" data-end=\"337\"><em data-start=\"94\" data-end=\"102\">Covers<\/em> is an exhibition running from December 3 to May 9, at the foot of Mount Kilimanjaro, in the town of Moshi.<br data-start=\"209\" data-end=\"212\" \/>The exhibition marks the launch of a knowledge centre for accessible care for children with spina bifida and hydrocephalus.<\/p>\n<p style=\"text-align: left;\" data-start=\"339\" data-end=\"619\" data-is-last-node=\"\" data-is-only-node=\"\">The exhibition is built around two intertwined lines: decolonisation and care.<br data-start=\"417\" data-end=\"420\" \/>It raises the question of how art, knowledge, and responsibility can free themselves from old power structures, and how they can take root again in local reality, shared ownership, and human dignity.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\">The exhibition brought together work by Mertens, drawn from earlier exhibitions that had never before been shown in this context, in dialogue with work by four Tanzanian artists. Rather than functioning as a retrospective, the exhibition presented a contextual reinterpretation of existing work.<\/p>\n<p><a href=\"https:\/\/pierremertens.be\/en\/works\/280-les-demoiselles-d-avignon\/\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft wp-image-11611 size-medium\" src=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/09\/2-286x300.webp\" alt=\"\" width=\"287\" height=\"300\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/pierremertens.be\/en\/works\/370-tingatinga\/\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-11997 alignleft\" src=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/mural-dar-300x225.jpg\" alt=\"\" width=\"350\" height=\"263\" srcset=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/mural-dar-300x225.jpg 300w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/mural-dar.jpg 465w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/pierremertens.be\/en\/works\/288-african-heros\/\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-11989 alignleft\" src=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/Kanga-met-vrouwen-300x183.jpg\" alt=\"\" width=\"348\" height=\"212\" srcset=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/Kanga-met-vrouwen-300x183.jpg 300w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/Kanga-met-vrouwen.jpg 465w\" sizes=\"auto, (max-width: 348px) 100vw, 348px\" \/><\/a><a href=\"https:\/\/pierremertens.be\/en\/works\/418-loving-care\/\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-11993 alignleft\" src=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/Loving-care-300x200.jpg\" alt=\"\" width=\"317\" height=\"211\" srcset=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/Loving-care-300x200.jpg 300w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/Loving-care.jpg 465w\" sizes=\"auto, (max-width: 317px) 100vw, 317px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/pierremertens.be\/en\/works\/286-moringa\/\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-12001 alignleft\" src=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/moringa-zaad-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/moringa-zaad-300x225.jpg 300w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/moringa-zaad.jpg 700w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\">Five of the six works by Mertens originated in his participation in the East African Biennales.<\/p>\n<p style=\"text-align: left;\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-12005 alignleft\" src=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/poort-3-300x225.jpeg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/poort-3-300x225.jpeg 300w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/poort-3-1024x768.jpeg 1024w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/poort-3-768x576.jpeg 768w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/poort-3-1536x1152.jpeg 1536w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/poort-3.jpeg 1600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\">A collaborative mural, originally created in Dar es Salaam, was re-executed for this exhibition as a painted entrance gate to the site. Mertens realized this work together with the Tanzanian artists David Valerian Mlay and Prince John Hugo.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-12045 alignleft\" src=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/collage-2-283x300.webp\" alt=\"\" width=\"283\" height=\"300\" srcset=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/collage-2-283x300.webp 283w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/collage-2.webp 534w\" sizes=\"auto, (max-width: 283px) 100vw, 283px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\">A central work in the exhibition is a reinterpretation of Les Demoiselles d\u2019Avignon by Pablo Picasso. In the original painting, Picasso used African masks within a modernist idiom. In an initial version for the East African Biennale, Mertens, Ricardo Brey, Mulugeta Tafesse, and Willo Gonnissen made a symbolic intervention to return this appropriated visual language to Africa. In Moshi, four Tanzanian artists: Lilian Munuo, Lightness Jonas, David Valerian Mlay and Prince John Hugo realized a new version of the work, complemented by pieces from their own oeuvre.<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11638 alignleft\" src=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/09\/2-1-300x225.webp\" alt=\"\" width=\"300\" height=\"225\" srcset=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/09\/2-1-300x225.webp 300w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/09\/2-1.webp 566w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\">African Heroes, a work on kanga fabric, departs from the city map of Dar es Salaam. Together with fellow artist Willo Gonnissen, Mertens overlaid this map with the life lines of a hand and a star chart. The names of the stars were replaced by those of African heroes, often silenced or erased by colonial history. In Moshi, the work became interactive: visitors added the names of their own heroes in large numbers, allowing the work to evolve into a collective, living memory.<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11751 alignleft\" src=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/amina-1-300x200.webp\" alt=\"\" width=\"300\" height=\"200\" srcset=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/amina-1-300x200.webp 300w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/amina-1-1024x683.webp 1024w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/amina-1-768x512.webp 768w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/amina-1-1536x1024.webp 1536w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/amina-1.webp 2048w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11743 alignleft\" src=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/heros-rolstoel-1-300x200.webp\" alt=\"\" width=\"300\" height=\"200\" srcset=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/heros-rolstoel-1-300x200.webp 300w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/heros-rolstoel-1-1024x683.webp 1024w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/heros-rolstoel-1-768x512.webp 768w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/heros-rolstoel-1-1536x1024.webp 1536w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/heros-rolstoel-1.webp 2048w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11771 alignleft\" src=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/heroes-bijkleven-1-300x200.webp\" alt=\"\" width=\"300\" height=\"200\" srcset=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/heroes-bijkleven-1-300x200.webp 300w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/heroes-bijkleven-1-1024x683.webp 1024w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/heroes-bijkleven-1-768x512.webp 768w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/heroes-bijkleven-1-1536x1024.webp 1536w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/heroes-bijkleven-1.webp 2048w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: left;\">Visitors could add their own heroes<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-12009 alignleft\" src=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/1-300x150.jpeg\" alt=\"\" width=\"300\" height=\"150\" srcset=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/1-300x150.jpeg 300w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/1.jpeg 600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\">Moringa originated from an earlier socio-artistic project with women with a migrant background and visualizes the often invisible expertise required for sustainable integration into the labor market.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-12036 alignleft\" src=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/moringa3-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/moringa3-300x300.jpg 300w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/moringa3-1024x1022.jpg 1024w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/moringa3-150x150.jpg 150w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/moringa3-768x767.jpg 768w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/moringa3-1536x1534.jpg 1536w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/moringa3-2048x2045.jpg 2048w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-12038 alignleft\" src=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/moringaplant-300x297.jpg\" alt=\"\" width=\"300\" height=\"297\" srcset=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/moringaplant-300x297.jpg 300w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/moringaplant-1024x1013.jpg 1024w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/moringaplant-150x150.jpg 150w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/moringaplant-768x760.jpg 768w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/moringaplant-1536x1519.jpg 1536w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/moringaplant-2048x2026.jpg 2048w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-12034 alignleft\" src=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/moringa2-300x285.jpg\" alt=\"\" width=\"300\" height=\"285\" srcset=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/moringa2-300x285.jpg 300w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/moringa2-1024x974.jpg 1024w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/moringa2-768x731.jpg 768w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/moringa2-1536x1461.jpg 1536w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/moringa2-2048x1948.jpg 2048w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\">During the opening on December 3rd, seven moringa trees were planted around the building as a living reference to 7000 Oaks by Joseph Beuys for Documenta. The trees function as carriers of time\u2014growing, demanding care, and oriented toward the future.<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-11972 alignleft\" src=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/baxters-atelier-300x225.jpeg\" alt=\"\" width=\"351\" height=\"263\" srcset=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/baxters-atelier-300x225.jpeg 300w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/baxters-atelier-1024x768.jpeg 1024w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/baxters-atelier-768x576.jpeg 768w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/baxters-atelier-1536x1152.jpeg 1536w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/baxters-atelier.jpeg 1600w\" sizes=\"auto, (max-width: 351px) 100vw, 351px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\">The work African Values, originally developed in the studio using IV bags, was reconstructed in Moshi with locally sourced materials. Instead of bags, plastic bottles were used\u2014not arranged in a single line but distributed throughout the entire building. Through the bottles, African values written in Swahili are legible\u2014values that came under pressure through the colonial past. Visitors had to literally search for these words in corridors, corners, and even sanitary spaces.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11980 alignleft\" src=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/baxter-2-230x300.jpeg\" alt=\"\" width=\"230\" height=\"300\" srcset=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/baxter-2-230x300.jpeg 230w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/baxter-2-784x1024.jpeg 784w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/baxter-2-768x1004.jpeg 768w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/baxter-2-1175x1536.jpeg 1175w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/baxter-2.jpeg 1389w\" sizes=\"auto, (max-width: 230px) 100vw, 230px\" \/><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11976 alignright\" src=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/baxterfles-170x300.jpeg\" alt=\"\" width=\"170\" height=\"300\" srcset=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/baxterfles-170x300.jpeg 170w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/baxterfles-580x1024.jpeg 580w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/baxterfles-768x1355.jpeg 768w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/baxterfles-870x1536.jpeg 870w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/baxterfles.jpeg 957w\" sizes=\"auto, (max-width: 170px) 100vw, 170px\" \/>Ubuntu \u2013 Shared humanity<br \/>\nUmoja \u2013 Unity<br \/>\nUshirikiano \u2013 Cooperation<br \/>\nHeshima \u2013 Respect<br \/>\nHuruma \u2013 Compassion<br \/>\nWajibu \u2013 Responsibility<br \/>\nUaminifu \u2013 Trust, faithfulness<br \/>\nHaki \u2013 Justice<br \/>\nUkarimu \u2013 Hospitality, generosity<br \/>\nSubira \u2013 Patience, perseverance<br \/>\nAmani \u2013 Peace<br \/>\nUhai \u2013 Life<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-11783 alignleft\" src=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/kindje-1-225x300.jpeg\" alt=\"\" width=\"306\" height=\"408\" srcset=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/kindje-1-225x300.jpeg 225w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/kindje-1-768x1024.jpeg 768w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/kindje-1-1152x1536.jpeg 1152w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/kindje-1.jpeg 1200w\" sizes=\"auto, (max-width: 306px) 100vw, 306px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\">Specifically for this exhibition, a monumental portrait of a child with hydrocephalus was added to the Loving Care series, in which Mertens created twelve paintings measuring two by one and a half meters of untreated children in the Philippines. The work was installed outdoors at the entrance and serves as the visual and ethical anchor of the exhibition.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11956 alignleft\" src=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/giraf-204x300.webp\" alt=\"\" width=\"204\" height=\"300\" srcset=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/giraf-204x300.webp 204w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/giraf.webp 235w\" sizes=\"auto, (max-width: 204px) 100vw, 204px\" \/><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11948 alignleft\" src=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/aap-278x300.webp\" alt=\"\" width=\"278\" height=\"300\" srcset=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/aap-278x300.webp 278w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/aap.webp 358w\" sizes=\"auto, (max-width: 278px) 100vw, 278px\" \/><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11924 alignleft\" src=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/IMG_20251208_155201_8512-208x300.webp\" alt=\"\" width=\"208\" height=\"300\" srcset=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/IMG_20251208_155201_8512-208x300.webp 208w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/IMG_20251208_155201_8512.webp 546w\" sizes=\"auto, (max-width: 208px) 100vw, 208px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h3>Lightness Jonas<\/h3>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h3><\/h3>\n<h3><img decoding=\"async\" loading=\"lazy\" class=\"alignleft wp-image-11940 \" src=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/plaasters-2-300x190.webp\" alt=\"\" width=\"388\" height=\"246\" srcset=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/plaasters-2-300x190.webp 300w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/plaasters-2-1024x649.webp 1024w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/plaasters-2-768x487.webp 768w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/plaasters-2-1536x974.webp 1536w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/plaasters-2.webp 1800w\" sizes=\"auto, (max-width: 388px) 100vw, 388px\" \/><\/h3>\n<h3><\/h3>\n<h3><\/h3>\n<h3>Lilian Munuo<\/h3>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone wp-image-11936 size-full\" src=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/plaasters-totaal-2.webp\" alt=\"\" width=\"1418\" height=\"367\" srcset=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/plaasters-totaal-2.webp 1418w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/plaasters-totaal-2-300x78.webp 300w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/plaasters-totaal-2-1024x265.webp 1024w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/plaasters-totaal-2-768x199.webp 768w\" sizes=\"auto, (max-width: 1418px) 100vw, 1418px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11920 alignleft\" src=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/IMG_20251208_155146_5082-233x300.webp\" alt=\"\" width=\"233\" height=\"300\" srcset=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/IMG_20251208_155146_5082-233x300.webp 233w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/IMG_20251208_155146_5082.webp 497w\" sizes=\"auto, (max-width: 233px) 100vw, 233px\" \/><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11944 alignleft\" src=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/prince-2-230x300.webp\" alt=\"\" width=\"230\" height=\"300\" srcset=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/prince-2-230x300.webp 230w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/prince-2.webp 302w\" sizes=\"auto, (max-width: 230px) 100vw, 230px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h3><\/h3>\n<h3><\/h3>\n<h3>Prince John Hugo<\/h3>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h3><\/h3>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11962 alignleft\" src=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/vrouwmetkind.jpg\" alt=\"\" width=\"240\" height=\"262\" \/><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11952 alignleft\" src=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/bannan-295x300.webp\" alt=\"\" width=\"295\" height=\"300\" srcset=\"http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/bannan-295x300.webp 295w, http:\/\/pierremertens.be\/wp-content\/uploads\/2025\/12\/bannan.webp 384w\" sizes=\"auto, (max-width: 295px) 100vw, 295px\" \/><\/p>\n<h3><\/h3>\n<h3><\/h3>\n<h3>David Valerian Mlay<\/h3>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h3><\/h3>\n<h3><\/h3>\n<h3 style=\"text-align: center;\">More photos from the exhibition<\/h3>\n","protected":false},"featured_media":12045,"template":"","class_list":["post-11742","werken","type-werken","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Covers for Moshi - Pierre Mertens<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pierremertens.be\/en\/works\/overs-for-the-world-moshi\/\" 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